Bless the Sound that saved a Witch like me

Benjamin KahnEn présentiel
Date
20 juin 2026
Heure
18:00
Durée
40m

A propos

Often associated with anger and chaos, screaming is criticized, condemned, or censored in language and public spaces. Whether filled with rage, pleasure, pain, or silent, it is a powerful and deeply intimate act. It provokes instant empathy that also summons what we have in common and what is most instinctive. It is a crack in space-time. This piece is an attempt to reclaim this radical expression in order to tame its raw and staggering power. Through a powerful physical and sonic journey, it seeks to make this vital impulse accessible, like a scream of alarm in the context of the geopolitical, ideological, and ecological crisis we are currently experiencing.

Festival Dance People
Photo by Pavlos Vrionides
Benjamin KahnChoreographer
Thi mai NguyenDancer
Lucia RossMusic Design
Neills DoucetLight Design and et stage management
Sammy BichonSound engineer
Théo Aucremannedramaturgy Assistant
Cherish MenzoOutside eye
Carolin HerzbergEye on costum creation:
Sandrine BarrassoTouring, development
Cette œuvre, très finement travaillée, offre une expérience saisissante qui incite à une réflexion approfondie sur les enjeux urgents de notre époque.
Lodie Kardouss

Thanks to : Les Halles de Schaerbeek, Léonard Degoulet, Louis Daurat / Executive production: Actoral Marseille / Coproduction: Klap Maison pour la danse, Charleroi Danse, Les Halles de Schaerbeek / Residencies: Festival de Marseille, Centre National de la danse Pantin, Klap Maison pour la danse, Kaiitheater , BUDA Kunstencentrum, Theater Rotterdam