**A film by Anna Alexandre and Anthony Faye** Young people from the antipodes will live a unique adventure of inclusive dance, discovering themselves beyond their differences, beyond their handicaps. Between intimate struggles and collective construction, a team of passionate professionals will accompany them in this singular journey, helping them grow and show that together, everything becomes accessible.

**Un film du Anna Alexandre et Anthony Faye** Des jeunes danseurs vivant aux antipodes partagent une aventure inclusive unique pour apprendre à se découvrir au-delà de leurs différences, au-delà des handicaps. Entre la Loire et la Réunion, parcours intimes et construction collective, une équipe de professionnels passionnés les accompagnent dans cette histoire singulière qui les aidera à grandir et à montrer qu'ensemble, tout devient accessible.

Saint-Etienne

Cameras of January

Dan.Cin.Lab

Corps Emouvants | 52min

Corps Emouvants

Cameras of January is the second edition of a monthly series of screendance programs on Citerne.live. For the month of January, DAN.CIN.LAB curates this second edition and puts together a strong collection of films they programmed, rewarded and/or coproduced, questioning societal issues at the very heart of our today's world: power, identity, migration, family, faith, inclusion, violence, health, environment and human rights. 
**Videos will be available each day from 2pm - 11.30pm CET**

Les Caméras de Janvier sont la deuxième édition d'une série mensuelle de projections sur Citerne.live. DAN.CIN.LAB ouvre la nouvelle année avec cette deuxième édition qui rassemble une collection de films dansés puissants - programmés, récompensés et/ou coproduits par DCL -, questionnant les enjeux sociétaux au cœur de notre monde actuel : pouvoir, identité, migration, famille, foi, inclusion, violence, santé, environnement et droits de l'homme. **Les films seront disponibles chaque jour de 14h à 23h30 CET**

Les Caméras de Janvier

Alone in a mirror factory, a man paints strange patterns on his body. Questioning his reflections, he loses touch with reality. So the evil that consumes him talks through his body which begins to move, dance, contort. Slowly he's falling apart, teetering between madness and lucidity.

Seul dans une fabrique de miroirs, un homme peint d'étranges motifs sur son corps. Interrogeant ses réflexions, il perd le contact avec la réalité. Alors le mal qui le consume parle à travers son corps qui se met à bouger, danser, se contorsionner. Lentement, il s'effondre, oscillant entre folie et lucidité.

Paris

Rémi Parisse                   

Mirrors | 4min30

Finally in the heart of the forest he finds a safe place to rest.

Enfin, au cœur de la forêt, il trouve un endroit sûr pour se reposer. 

Shrewsbury

Ray Jacobs

A Safe Place To Rest | 6min

Louise, 8 years old, and her young mother Marianne are merging. Although a little less so this fest-noz evening, distanced by dance and a troubling dancer...
// SPECIAL MENTION : Prix Spécial du Jury - 4ème Compétition Internationale du Court-Métrage dansé (2018)




Louise, 8 ans, et sa jeune mère Marianne sont fusionnelles. Quoiqu'un peu moins ce soir de fest-noz, éloignées par la danse et un danseur troublant... // Special Jury Prize - 4th International Dance Short Film Competition (2018)


Plaine-Haute

Clémence Dirmeikis

Danse, poussin | 13min

Traverse highlights the power of five women through various collective experiences, one at the crossroads of dance, movement and voice, in a unity of experience that illustrates a journey that is not personal, but collective. This initiative unfolds in natural and artificial structures such as an ancient massive wall, stairs carved in stone, a perilous bridge: places that these women occupy and cross. In this way, they discover openings and links, and meet strangers on similar journeys. The film stands out for its original cinematography. 



Traverse souligne la puissance de cinq femmes à travers diverses expériences collectives, un au croisement de la danse, du mouvement et de la voix, dans une unité d’expérience qui illustre un parcours non pas personnel, mais collectif. Cette initiative se déploie dans des structures naturelles et artificielles telles un ancien mur massif, des escaliers gravés dans la pierre, un pont périlleux : des lieux que ces femmes occupent et traversent. Elles découvrent ainsi des ouvertures et des liens, et rencontrent des inconnus engagés dans parcours semblable. Le film se distingue par sa cinématographie originale. 

Montreal

Marlene Millar

Traverse | 13min

Voted "best first film" at the Hiroshima Film Festival in 2008, "Le Coeur est un Métronome" tells the story of an angry father arguing with his son. The relationship between the two men is so tense that they can no longer understand each other.


Elu « meilleur premier film » au festival d'Hiroshima en 2008, « Le coeur est un métronome » raconte l'histoire d'un père colérique qui se dispute avec son fils. La relation entre les deux hommes est tendue si bien qu'ils ne parviennent plus à se comprendre.

Lyon

Jean-Charles Mbotti Malolo

Le Coeur est un Metronome | 4min30s

Gatha tells the story of two Tibetan brothers’ prostrating (locomotion from standing to lying down and standing again) pilgrimage to Mount Kailash, where the elder brother dies. With his late brother's last wish, and in spite of all the trials and tribulations, the younger brother finally arrives at the Holy Land, alone, grieved, but fulfilled. 

Gatha raconte l’histoire du pèlerinage de deux frères tibétains qui se prosternent ( locomotion de la position debout, couchée et debout) vers le mont Kailash, où le frère aîné meurt. Avec le dernier souhait de son défunt frère, et malgré toutes les épreuves et les tribulations, le jeune frère arrive enfin en Terre Sainte, seul, affligé, mais comblé.


Mount Kangrinboqe

Chenglong Tang

Gatha | 16min

An Egyptian man and woman stand on a rooftop in Down Town Cairo. Teargas from riots in the streets below rise up to the roof and gives an extreme physical memory of Cairo. One physical movement is repeated from beginning to end. Repeatedly. The two characters are seen distinctively. Their reactions and processes become magnified.
CHEST was created for an Egyptian man and woman during the riots and demonstrations in Cairo, Egypt 2013, and was shoot on a rooftop in Down Town Cairo. Teargas from riots in the streets below drew up to the roof and gave the shooting an extreme physical memory of Cairo.


Un homme et une femme égyptiens se tiennent sur un toit au centre-ville du Caire. Les gaz lacrymogènes des émeutes dans les rues du bas montent jusqu'au toit et donnent un souvenir physique extrême du Caire. Un mouvement physique est répété du début à la fin. De façon répétée. Les deux personnages sont vus distinctement. Leurs réactions et leurs processus s'amplifient.

CHEST a été créé pour un homme et une femme égyptiens pendant les émeutes et les manifestations du Caire, Egypte 2013, et a été tourné sur un toit du centre-ville du Caire. Les gaz lacrymogènes des émeutes dans les rues du bas se sont élevés jusqu'au toit et ont donné au tournage un souvenir physique extrême du Caire.

Cairo

Nønne Mai Svalholm

Chest | 9min31

An independent short dance animation about dreams, aspirations and fears. Made with over 4000 hand cut characters over the period of a year.

Un court métrage d'animation indépendant sur les rêves, les aspirations et les peurs. Réalisé avec plus de 4000 personnages découpés à la main sur une période d'un an.

Brussels

Wilkie Branson

Little Dreams | 6min

The short film Carolina seeks to identify the place that Carolina Teixeira occupies in the social-political-cultural context in which we live. Framing this woman is giving visibility to countless women, northeastern Brazilians, artists, and disabled people in Brazil. From your point of view we can perceive a different world. Or the best translation of her world would be the dance that she carries in her relationship with space, matter, movement, in her own day life choreography?
Photos Claudio Zakka


Le court-métrage Carolina cherche à identifier la place qu'occupe Carolina Teixeira dans le contexte social, politique et culturel dans lequel nous vivons. Encadrer cette femme, c'est donner de la visibilité à d'innombrables femmes, à des Brésiliens du nord-est, à des artistes et à des personnes handicapées au Brésil. De votre point de vue, nous pouvons percevoir un monde différent. Ou la meilleure traduction de son monde serait la danse qu'elle porte dans son rapport à l'espace, à la matière, au mouvement, dans sa propre chorégraphie de vie quotidienne ?
Photos Claudio Zakka


Bahia

Lilih Curi

Carolina | 10min

A dance film dedicated to the architecture and urban scenery of Hong Kong, the incredible busy metropolitan and the prototype of numerous sci-fi films, in a poetic and abstract way. The cinematography and editing emphasize the structure of spaces in a graphical style. The dancer interacts with the extreme high skyline and narrow living spaces via solo dance. Without clearly showing her facial emotion and her real character, she presents the stress, the anxiety and the coldness from this dystopia city.

Un film dansé consacré à l'architecture et au paysage urbain de Hong Kong, l'incroyable métropole animée et le prototype de nombreux films de science-fiction, d'une manière poétique et abstraite. La cinématographie et le montage mettent en valeur la structure des espaces dans un style graphique. Le danseur interagit avec la ligne d'horizon extrêmement haute et les espaces de vie étroits par le biais d'une danse en solo. Sans montrer clairement son émotion faciale et son vrai caractère, elle présente le stress, l'anxiété et la froideur de cette ville dystopique.

Taipei

Wei Chang 

Lift | 8min33

Lift

"It is through movement that one appropriates one's own life. By the freedom to come and go, to make gestures of love, of anger, whatever. When you are deprived of movement as I am, if you want to survive, you have to reinvent movement differently". Benoît Labaye.


"C'est par le mouvement qu'on s'approprie sa propre vie. Par la liberté d'aller, de venir, d'avoir des gestes d'amour, de colère, peu importe. Quand on est privé de mouvement comme je le suis, si on veut survivre, il faut réinventer le mouvement autrement". Benoît Labaye.

Liège

Mathieu Labaye

Orgesticulanismus | 9min27

A young woman wakes up to find that she has become weightless and floats through life and nature until gravity inevitably catches up with her. Why anyone would want to prevent us from flying around ... ?


Une jeune femme se réveille et flotte dans les airs, entourée de nature... jusqu'à être aspirée par un monde où règne la gravité, où on l'oblige à mettre les pieds sur terre. Pourquoi voudrait-on nous empêcher de voler... ?

Hamburg

Natalia Dufraisse & Filip Piskorzynski

Gravity | 4min

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