Oecumene is an interactive dance and music piece that reflects on the role of the individual in the world, with her senses expanded through technology beyond the limits of her geographical birthplace or cultural identity of origin. The Oecumene is a term that comes from the Alexandrian ideal of Cosmopolis: the world inhabited as a whole, as the common possession of the civilised humanity of free men and women. A concept developed in this creation for a dancer and immersive sound design, in which she enters and interacts with a sonic tapestry composed of thousands of phonemes coming from multiple places on the planet.
Integrated by Muriel Romero, Pablo Palacio and Daniel Bisig, INSTITUTO STOCOS is a project focused on the analysis, research and development of the interaction between body gesture, music and interactive visual imagery, integrating in a performative context abstraction taken from other disciplines such as artificial intelligence, biology, mathematics or experimental psychology. In their stage works the dancers interact with sonic and visual entities, allowing to alter and extend their bodily presence.
Live festival and events reservoir of all performances, cultural multidisciplinary multicultural discourse.
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