BLANC is based on a research about ritual, trance and transformation. Trying to peel the layers of the body and its environment revealing the multiple faces that composes the individual in the same way white color is made of all the other colors. The change of skin, the figure of the shaman. 
The body is crossed by fluxus of energies and images. It is, in one side, material and limited, and on the other side utopic, multiple and infinite. Moving between the strata of a continuum that goes from reality to fiction, from present to imaginary, and from rational to irrational. Cover Photo Gilles Aguilar - Performance Photo Jair Gonzales Ruiz

Blanc part d’une recherche sur le rituel, la transe et la transformation.
De même que le blanc est composé de toutes les couleurs, il s’agit d’une tentative de délier les différentes couches du corps humain pour révéler les multiples faces qui composent un individu. La transformation de la chaire, la figure du shaman.
Le corps est traité tant dans sa condition matérielle et périssable que dans sa dimension utopique. Il est question d’organes et de respiration mais aussi de théâtralité et de représentation.
Le point de départ est le corps en tant que un filtre, traversé par des flux d’énergies, d’histoires et de cultures ; se mouvant entre les strates d’un continuum qui va de la réalité à la fiction, du réel à l’imaginaire, du rationnel à l’irrationnel.  Cover Photo Gilles Aguilar - Performance Photo Jair Gonzales Ruiz

Vania Vaneau

Cie Arrangement Provisoire

Lyon

BIPOD 2021| Architecture of a Ruined Body

Les SUBS

BLANC

A Tornado + an artistic team + a videographer: this is the equation of this series of three films commissioned by the SUBS. Sophie Laly successively places her gaze and her camera on three extraordinary personalities who confront their artistic practice with this monumental work of paper installed under the glass roof of Les Subsistances. Alexander Vantournhout, Rebecca Chaillon and Cassiel Gaube are thus filmed in the Eye of the Tornado with aesthetic and chromatic variations that set the tone of this colorful triptych.
Episode 3 is made from a working phase for the creation "Study evening" choreographed by Cassiel Gaube, in La Tornade, a monumental work of paper designed by the plastic artists Domitille Martin and Alexis Mérat. Photo Romain Fievet


Une Tornade + une équipe artistique + une vidéaste : c’est l’équation de cette série de trois films commandés par les SUBS. Sophie Laly pose successivement son regard et sa caméra sur trois personnalités hors du commun qui confrontent leur pratique artistique à cette œuvre monumentale de papier installée sous la verrière des Subsistances. Alexander Vantournhout, Rebecca Chaillon et Cassiel Gaube sont ainsi filmés dans l’œil de la Tornade avec des variations esthétiques et chromatiques qui donnent le ton de ce triptyque haut en couleur. 

L'épisode 3 est réalisé à partir d’une étape de travail de la création « Soirée d’étude » chorégraphié par Cassiel Gaube, dans la Tornade, œuvre monumentale de papier conçue par les artistes-plasticiens Domitille Martin et Alexis Mérat.  Photo Romain Fievet


Sophie Laly

Dans l’œil de la tornade

Dans l’œil de la tornade - E3: Cassiel Gaube

A Tornado + an artistic team + a videographer: this is the equation of this series of three films commissioned by the SUBS. Sophie Laly successively places her gaze and her camera on three extraordinary personalities who confront their artistic practice with this monumental work of paper installed under the glass roof of Les Subsistances. Alexander Vantournhout, Rebecca Chaillon and Cassiel Gaube are thus filmed in the Eye of the Tornado with aesthetic and chromatic variations that set the tone of this colorful triptych.
Episode 2 is made from a working phase for the creation "Depressions" designed by Rébecca Chaillon and Mélanie Martinez Llense for La Tornade, a monumental work of paper designed by the plastic artists Domitille Martin and Alexis Mérat. Photo Romain Fievet

Une Tornade + une équipe artistique + une vidéaste : c’est l’équation de cette série de trois films commandés par les SUBS. Sophie Laly pose successivement son regard et sa caméra sur trois personnalités hors du commun qui confrontent leur pratique artistique à cette œuvre monumentale de papier installée sous la verrière des Subsistances. Alexander Vantournhout, Rebecca Chaillon et Cassiel Gaube sont ainsi filmés dans l’œil de la Tornade avec des variations esthétiques et chromatiques qui donnent le ton de ce triptyque haut en couleur.
L'épisode 2 est réalisé à partir d’une étape de travail de la création « Dépressions » conçue par Rébecca Chaillon et Mélanie Martinez Llense pour la Tornade, œuvre monumentale de papier conçue par les artistes-plasticiens Domitille Martin et Alexis Mérat. Photo Romain Fievet

Dans l’œil de la tornade - E2: Rébecca Chaillon & Mélanie Martinez Llense

A Tornado + an artistic team + a videographer: this is the equation of this series of three films commissioned by the SUBS. Sophie Laly successively places her gaze and her camera on three extraordinary personalities who confront their artistic practice with this monumental work of paper installed under the glass roof of Les Subsistances. Alexander Vantournhout, Rebecca Chaillon and Cassiel Gaube are thus filmed in the Eye of the Tornado with aesthetic and chromatic variations that set the tone of this colorful triptych.
Episode 1 is made from a working phase of the solo VanThorhout, filmed in the Tornado, a monumental work of paper designed by the plastic artists Domitille Martin and Alexis Mérat. Photo Romain Etienne

Une Tornade + une équipe artistique + une vidéaste : c’est l’équation de cette série de trois films commandés par les SUBS. Sophie Laly pose successivement son regard et sa caméra sur trois personnalités hors du commun qui confrontent leur pratique artistique à cette œuvre monumentale de papier installée sous la verrière des Subsistances. Alexander Vantournhout, Rebecca Chaillon et Cassiel Gaube sont ainsi filmés dans l’œil de la Tornade avec des variations esthétiques et chromatiques qui donnent le ton de ce triptyque haut en couleur.

L'épisode 1 est réalisé à partir d’une étape de travail du solo VanThorhout, filmé dans la Tornade, œuvre monumentale de papier conçue par les artistes-plasticiens Domitille Martin et Alexis Mérat. Photo Romain Etienne

Dans l'œil de la Tornade - E1: Alexander Vantournhout

A Tornado + an artistic team + a videographer: this is the equation of this series of three films commissioned by the SUBS. Sophie Laly successively places her gaze and her camera on three extraordinary personalities who confront their artistic practice with this monumental work of paper installed under the glass roof of Les Subsistances. Alexander Vantournhout, Rebecca Chaillon and Cassiel Gaube are thus filmed in the Eye of the Tornado with aesthetic and chromatic variations that set the tone of this colorful triptych. Cover Photo Romain Fievet, Photo Romain Etienne

Une Tornade + une équipe artistique + une vidéaste : c’est l’équation de cette série de trois films commandés par les SUBS. Sophie Laly pose successivement son regard et sa caméra sur trois personnalités hors du commun qui confrontent leur pratique artistique à cette œuvre monumentale de papier installée sous la verrière des Subsistances. Alexander Vantournhout, Rebecca Chaillon et Cassiel Gaube sont ainsi filmés dans l’œil de la Tornade avec des variations esthétiques et chromatiques qui donnent le ton de ce triptyque haut en couleur.  Cover Photo Romain Fievet, Photo Romain Etienne

Voted "best first film" at the Hiroshima Film Festival in 2008, "Le Coeur est un Métronome" tells the story of an angry father arguing with his son. The relationship between the two men is so tense that they can no longer understand each other.


Elu « meilleur premier film » au festival d'Hiroshima en 2008, « Le coeur est un métronome » raconte l'histoire d'un père colérique qui se dispute avec son fils. La relation entre les deux hommes est tendue si bien qu'ils ne parviennent plus à se comprendre.

Jean-Charles Mbotti Malolo

Cameras of January

Dan.Cin.Lab

Le Coeur est un Metronome

Mia Habis, Director of BIPOD festival, meets the artists for a coffee. She wants to know more and discover things about their character, their work experience and what their morning or backstage looks like. An enjoyable and intimate moment away from the spotlights.

Simultaneous translation available FR/EN.


( Photo Pixabay) 

Mia Habis, directrice du Festival Bipod, rencontre les artistes pour un café. Elle veut en savoir plus, découvrir leur personnalité, leur expérience artistique et à quoi pourraient ressembler leur matinée ou leurs coulisses. Un moment agréable et intime loin des projecteurs.

Traduction simultanée FR/EN.

( Photo Pixabay) 

Mia Habis

Pierre Rigal

BIPOD 2020

Maqamat

Morning Coffee with Pierre Rigal 

Un café avec Pierre Rigal

Mia Habis, Director of BIPOD festival, meets the artists for a coffee. She wants to know more and discover things about their character, their work experience and what their morning or backstage looks like. An enjoyable and intimate moment away from the spotlights.

Simultaneous translation available FR/EN.


Mia Habis, directrice du Festival Bipod, rencontre les artistes pour un café. Elle veut en savoir plus, découvrir leur personnalité, leur expérience artistique et à quoi pourraient ressembler leur matinée ou leurs coulisses. Un moment agréable et intime loin des projecteurs.

Traduction simultanée FR/EN.

Mitra Ziaie Kia

Hiva Sedaghat

Amirhossein Taghavi

Tehran

Morning Coffee with Māha

Un café avec Māha

Mia Habis, Director of BIPOD festival, meets the artists for a coffee. She wants to know more and discover things about their character, their work experience and what their morning or backstage looks like. An enjoyable and intimate moment away from the spotlights.

Simultaneous translation available FR/EN.

( Photo Pixabay) 

Guilherme Botelho

Morning Coffee with Guilherme Botelho

Un café avec Guilherme Botelho

For the opening of BIPOD 2020 the directors of the Beirut International Platform of Dance, Mia Habis & Omar Rajeh, would like to address their audience on this 16th edition, which is taking place in very special circumstances and times. 

They will be joined by dance activist Peggy Olislaegers who accompanied Omar and Mia through the whole concept of this year's edition, sharing a space for thoughts and the three of them wanted to extend the invitation to all the guests speakers of BIPOD 2020. 

On this opening, 10 international guest artists will individually share a concern about culture, society, dance, thought, risk, and relationships.

Simultaneous translation available FR/EN.

Pour l'ouverture du BIPOD 2020, les directeurs de la Plateforme internationale de danse de Beyrouth, Mia Habis & Omar Rajeh, souhaitent s'adresser à leur public à l'occasion de cette 16e édition, qui se déroule dans des circonstances et des moments très particuliers.

Ils seront rejoints par la militante de la danse Peggy Olislaegers qui a accompagné Omar et Mia à travers tout le concept de l'édition de cette année, partageant un espace de réflexion au bout duquel ils ont voulu étendre l'invitation à tous les invités de BIPOD 2020.

Lors de cette ouverture, 10 invités exceptionnels partageront individuellement une préoccupation concernant la culture, la société, la danse, la pensée, le risque et les relations.

Traduction simultanée FR/EN.

BIPOD 2020 Opening | Concerns Out Loud

BIPOD 2020 Ouverture | Formuler les Inquiétudes

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