This interactive session will  look at artistic definitions and  look into emerging dance trends that challenge tradition. and questioning norms,  diversity and innovation, fostering critical reflection on society and culture.

Beirut

Moultaqa Leymoun

BIPOD

topic 3: Artistic Fomats & Settings

Les différents formats et cadres artistiques

This session aims at emphasizing dynamic action over visual aesthetics in adaptable spaces, fostering active participation and immersion. How to move away from the traditional emphasis on visual aesthetics in fixed venues towards dynamic action aesthetics in versatile, non-dedicated performance spaces.

Closing Session: Shifting from the visual aesthetics into the aesthetics of action

Passer de l'esthétique visuelle à l'esthétique de l'action

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Utrecht

What does it mean to be an artist nowadays?
In this lab internationally acclaimed dance activist Peggy Olislaegers will challenge you to articulate your artistic practice, inviting you to contextualise your work. Which artistic research questions are driving your choreographic practice? And how are these questions resonating in the bigger framework of performing arts and the society we are living in? Be ready for an inspiring dialogue with your peers and Olislaegers.
Cover Photo © Stephen Wright Photo © Lilianvan Rooij

Que signifie être artiste aujourd’hui? 
Dans ce laboratoire, la danseuse activiste de renommée internationale Peggy Olislaegers vous mettra au défi d'articuler votre pratique artistique, vous invitant à contextualiser votre travail. Quelles questions de recherche artistique animent votre pratique chorégraphique? Et comment ces questions résonnent-elles dans le cadre plus large des arts de la scène et de la société dans laquelle nous vivons? Soyez prêt pour un dialogue inspirant avec vos collègues et OlislaegersCover Photo © Stephen Wright Photo © Lilianvan Rooij

Peggy Olislaegers

Julia Moncla

Emma Dufief

Matthis Lainé Silas

Bérengère Fournier

Clotilde Amprimoz

Lyon

BIPOD 2022

Maqamat

Brainstorming/ Bodystorming with Peggy Olislaegers

Maqamat organizes in partnership with the CND and the Relais Culture Europe, on May 6 and 7 in Lyon, meetings in several forms which invite dancers, choreographers, performing arts professionals, organizers and local, regional and international intellectuals to meet for exchanges, debates, practices, experiences, presentations and conversations focused on attention, solidarity and support for artists. 

It is a moment of exchange with the objective of rethinking our approach to culture and questioning its dynamics with which we operate. The opportunity to highlight our fears and open a discussion about certain artistic, social and cultural concerns. How artists today can decide their own path and how to imagine policies that can address these concerns.

Apart from meetings and conversations with certain artists and intellectuals around the idea of disobedience, namely "disobey why", disobey to do what" and "how to disobey", the two days will also revolve around two other axes. The first is to have courage and dare. Take risks to preserve the richness of what serves art and artists, maintain originality, creative freshness and share these values. The second is to be attentive to the needs, the limits and the affinities of our time. Discuss issues related to both physical and mental health in different geopolitical contexts, particularly in the field of artistic creation in connection with solidarity, care and innovation.

Maqamat organise en partenariat avec le CND et le Relais Culture Europe, les 6 et 7 mai à Lyon, des rencontres sous plusieurs formes qui invitent danseurs, chorégraphes, professionnels du spectacle vivant, animateurs et intellectuels locaux, régionaux et internationaux à se retrouver pour des échanges, débats, pratiques, expériences, présentations et conversations axées sur l'attention, la solidarité et le soutien aux artistes. C'est un moment d'échange avec l'objectif de repenser notre approche de la culture et de questionner sa dynamique avec laquelle nous opérons. L'occasion de mettre en lumière nos peurs et d'ouvrir une discussion sur certaines préoccupations artistiques, sociales et culturelles. Comment est-ce que les artistes d'aujourd'hui peuvent décider de leur propre chemin et comment imaginer des politiques qui peuvent répondre à ces préoccupations. Outre des rencontres et conversations avec certains artistes et intellectuels autour de l'idée de désobéissance, à savoir « désobéir pourquoi », désobéir pour faire quoi » et « comment désobéir », les deux journées s'articuleront également autour de deux autres axes: D’abord le courage, prendre des risques pour préserver la richesse de ce qui sert l'art et les artistes, maintenir l'originalité, l'innovation créative et partager ces valeurs. Puis d'être attentif aux besoins, aux limites et aux affinités de notre temps. la santé tant physique que mentale dans différents contextes géopolitiques, notamment dans le domaine de la création artistique en lien avec la solidarité, le soin et l’innovation.

Omar Rajeh

Rana Khoury

Pascal Brunet

Hope Azeda

Rwanda

Caring, Daring, Sharing

In the panel discussion “The Architecture of a Ruined Body” we are hoping to open a window of inspiration and motivation towards new possibilities of the future. Our main question for this panel will focus on “questioning the body in moments of crisis and disasters, questioning its remaining possibilities, vulnerabilities, resilience or revolt, and simply its being”. The body can refer to the actual human body, next to the society as a body, and the industry of culture as a body.  

Simultaneous translation available FR/EN.


(Photo Michael Gaida)

 «L'architecture d'un corps en ruine», est une table ronde qui nous l'espérons ouvrir aune fenêtre d'inspiration et de motivation vers les nouvelles possibilités du futur. Notre principale question pour ce panel portera sur «l'interrogation du corps dans les moments de crise et de désastre, de questionnement sur ses possibilités restantes, ses vulnérabilités, sa résilience ou sa révolte, et simplement son être». Le corps peut faire référence au corps humain réel, à côté de la société en tant que corps, et de l'industrie de la culture en tant que corps.

Traduction simultanée  FR / EN.


(Photo Michael Gaida)

Rasha Salti

Simon Dove

Fabrizio Grifasi

BIPOD 2020

Architecture of a Ruined Body

Architecture d'un corps en ruine

How do we continue to engage? What does it mean to be an audience these days? An observer? A witness? How are audience members perceiving our artistic actions, and how is that influencing the artistic decision making? How Can we inspire each other, yet not be afraid to be lost in translation? How do both audience members and artists take risks?  

Simultaneous translation available FR/EN.


(Photo couch Michael Gaida)
(Photo wall tama66)


Comment continuer à s'engager? Que signifie être un public de nos jours? Un observateur? Un témoin? Comment les spectateurs perçoivent-ils nos actions artistiques et comment cela influence-t-il la prise de décision artistique? Comment pouvons-nous nous inspirer mutuellement sans avoir peur de nous perdre dans l'interprétation? Comment les spectateurs et les artistes prennent-ils des risques?

Traduction simultanée FR/EN.

(Photo canapé Michael Gaida)
(Photo murale tama66)

LEE Jong-Ho

The Public Speaks

Le public prend la parole

In the panel discussion “The Aftermaths of a masked World” , focusing on what it means to be an artist these days, we start our conversation with the following observation:
“It seems that the real struggle of culture is to formulate a new perception beyond the fixed labels of power and domination. An ecological as well as a human discourse. Culture and thought must renew themselves outside of the inherited structures of the current economic, political and social structures.“

Simultaneous translation available FR/EN.


( Photo couch Michael Gaida)
(Photo wall tama66)

 «Les conséquences d'un monde masqué», est une table ronde qui propose de se pencher sur ce que signifie être un artiste de nos  jours, et qui s'ouvrira sur cette  l'observation suivante:
«Il semble que le véritable combat de la culture soit de formuler une nouvelle perception au-delà des étiquettes fixes de pouvoir et de domination. Un discours écologique autant qu'humain. La culture et la pensée doivent se renouveler en dehors des structures héritées des structures économiques, politiques et sociales actuelles.

Traduction simultanée FR/EN.

(Photo canapé Michael Gaida)
(Photo murale tama66)





Stéphane Malfettes

The Aftermath of a Masked World 

Les conséquences d'un monde masqué

In the panel discussion “Cartes Sur Table” we will discuss the kind of relationships and conversations needed these days. How do we broaden the pallet of relationships in the industry of culture, beyond the transactional relationships? How do we exchange our experiences, and values? What is a word like collaboration, or active citizenship meaning for you?

Simultaneous translation available FR/EN.

( Photo couch Michael Gaida) 
(Photo wall tama66)


«Cartes Sur Table» est une table ronde qui recherche le type de relations et de conversations nécessaires ces jours-ci. Comment élargir la palette des relations dans l'industrie de la culture, au-delà des relations transactionnelles? Comment échangeons-nous nos expériences et nos valeurs? Que signifie aujourd'hui les termes collaboration ou citoyenneté active?

Traduction simultanée FR/EN.

( Photo sofa Michael Gaida) 
(Photo mur tama66)
